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Weathering Hearts

I finally decided to name this piece “Weathering Hearts”. I have been watching and listening to Jude with her mini-series “Whispering Hearts”. Recently, I listened to two audio books on my walks, Wuthering Heights by Jane Austen and Jane Eyre by Charlotte Bronte. So in keeping with a literary theme, and for one I feel deeply connected, I thought my hearts and this piece might make a good combination coupled with this appropriate title.

Ebby has also been growing fur, very, very slowly. I am finding this process a bit difficult in terms of the sewing and the angle, but I like the look. I won’t cover the entire body with this as I intend to use other pieces that I dyed, but I think the effect is good.

As I was downloading my photos, I realized I had taken a photo of Mt Shasta in Northern California on our trip back to Oregon last week. I never get used to seeing this spectacular mountain. It is always so breathtaking and spectacular. I think that I will climb it….someday. If my knees hold up, it might just be possible.

Heading Home

I have been gone for a week visiting grandchildren and, now, missing them so much. I have other loves waiting for me, though, and that is the plus side of walking into the house.

Cats do not greet you like dogs, but the subtlety is something to treasure especially when you crawl into bed at night and they snuggle up beside you for the entire night unwilling to move or change positions. And in the morning the routine of the food and the treats and the same expected rubs makes you feel as if you had never been away. I find this so comforting and stabilizing.

I have been working on this piece while the baby naps and finding the stitching and its endless path like a good book that I hope will never end. And then in the car, there has been the stitching of Ebenezer who seems to be coming along quite nicely. I will post a few photos of Ebby soon.

This was the inspiration for Tigi, my collage kitty in lace and softness…..

And this is Ebenezer, soon to be found in the best way I know how.

The tail was a good beginning.

The fur will be a long but fun process.

There is a potential for grace here, and that is how I envision Ebenezer.

Ebenezer (Ebby)

I have been spending all my free time working on Ebenezer, also known as “Ebby”, a gorgeous, smoky gray cat that went missing a few months back. He is still not found. The poster said he was “very friendly”, something that was concerning it seemed.

Gray cats have various tones of color, so in this tub I dumped many whites and cream and ecru tones to see if I could get some nice variations. I also did two other tubs of color and ended with a nice assortment.

Ebenezer has stolen my heart. I have spent the last two and a half days on his tail alone because tails are so important to cats, especially Ebby. There will be a lot more manipulation of fabric in this cat so it has more of a sculptural quality in its fur. I am doing a lot of tearing and gathering and forming. There is no end to the results that one can create with lots of playing and hand stitching. I think Ebby will find a nice new make believe home here with lots of love and devotion.

I will post a few pieces here and there as I work in the days ahead. I have a trip to see my grandchildren next week, but I am hoping to take Ebenezer with me. His tail will be finished today.

Tender Tigi

Tigi was named for a cat that I met through a missing cat sign on a telephone pole. The name and the personality stayed with me until it became a kind of spiritual entity, a remembrance, as many of these cats are never found.

Throughout the creation of Tigi, the word “tender” captured the mood, and therefore, the lace, muted tones, and fragile pieces became the guiding design elements.

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The pieces are collaged, and some of the them were made in strips with lots of stitching holding them together. All of it is made with old laces and textiles, some quite fragile.

I basically let the laces and textiles dictate intuitively where they should be placed.

I started with some heads and paws…..

And then to create the body and legs and tail, I formed the remainder by looking at my cats and measuring and cutting.

If I create another, I would hope for it to be less cartoon-like and more realistic.

A New Project

For the last several weeks now, I have been diligently working on a project that is so close to my heart. I am thinking a series of these projects, for starters, will be a good thing. I have spent so much time on this, hour after hour but loving every bit and piece and stitch.

Of course my work table is covered end-to-end and side-to-side with lots of things, but tidy is not on my list of priorities for the moment.

To Meet the Snow

This winter has been one of record snow for many, but for Portland, Oregon, snow has been minimal, scattered or dusted. The day we finally had huge snowflakes was also the day we headed to Arizona for two nights. So this morning, at my urgency, we drove up to Mt Hood to meet the snow.

We stepped into our snowshoes, met the sunshine, and hiked towards the mountain joining many others with the same idea and impulse.

It was a bluebird kind of day, and as we hiked, I started shedding my scarf, mittens, and extra layers.

I must meet the snow on a regular basis if it does not come to visit me.

Just as we were leaving, the clouds came in to completely obscure the mountain. I could see the sunset would be one with the cast of pink and lavender on the horizon that would reflect a golden and pastel glow on the snow and give it the winter light that is so much a part of my memory and longing.

Of course there is always the funny little snowman that a child leaves behind for others to enjoy as they head back to the parking lot, the last tender moment to a lovely afternoon.

Informed by the Desert

For some reason, I have never been a huge fan of the desert. Maybe it is the heat and the lack of shade or lush foliage that leaves me feeling parched, both physically and spiritually. However, having spent two nights there on Thursday and Friday, I have come away with new awareness and appreciation. My father always loved the desert, particularly in the spring when it was in bloom. He made annual treks to see the colors and the flowers and listen to the voices there that called him, the ones only he heard, the ones that carried him into the deeper recesses of his complex mind. He always came away refreshed and renewed. Now I think I was introduced to his appreciation the last few days.

The sky has a deep and penetrating blue as it becomes the backdrop for the sharp contrast of the red and stark sandstone. When I think of the desert, too, I am reminded of Georgia O’Keeffe and her love of the stark desert beauty around Taos, New Mexico where she lived and painted. And for me, part of the awareness and appreciation of the colors and textures are the same elements that I employ when I am thinking of creating a cloth design or imagining space and how something needs to be left open to chance and surprise, like the face of these desert mountains.

One morning we decided to climb Camelback Mountain in Echo Canyon in Phoenix. Phoenix is supposed to have the best urban hiking in the country, a fact that surprised me because I always boasted that we had this claim in Portland, Oregon. We had no idea what we were getting into with this hike. The stairs at the trailhead seemed harmless, so we ventured up, eager and ready for some good morning exercise. The elevation is 2,704 feet above sea level and the elevation gain is about 1,200 feet. It is all layered sandstone with plenty of rocks and boulders to climb over and around.

Some of the trail is so steep that there is a cyclone fence lining the edge as well as a metal handrail that you use to pull yourself up and higher to the next level. We went up the Summit Trail at the beginning of the Echo Canyon Park.

When we climbed up past this area, I turned around to see where we had been and took this photo. At this point, my husband was taking every step with great precaution because of his inability to use his left arm and shoulder from his surgery. At this point, he was regretting the climb, not wanting to re-injure his shoulder and begin the process of healing all over again.

I was loving the climbing and pulling up and over the rocks, the strenuous task of the journey. About halfway up the climb, we stopped to talk to a man about our age and he told us about this 80+ year old man at the summit named “Sonny” who climbed Camelback three times a day, 6 days a week for a total of 80,000 times to his calculation. Within 15 minutes we ran into him as he was on his way down. I asked, “Are you Sonny?” He was wiry, tan, and about 5’6” tall. When he confirmed his identity, I told him that we had heard about him. He merely smiled and clambered down over more rocks on the steep trail down. I love running into people like this. How inspiring!

Most of the hikers on the trail were fairly young, the majority in their twenties. I hope they all use Sonny as a role model as they age into their senior years.

We took the Cholla Trail down on the other side making the round trip around 3 miles. Now I am ready to go back to more of this desert urban hiking.

There was a shop in town that sold red dirt shirts. It looked just like the colors of the sandstone and this red dirt was used to dye this clothing. I loved the deep, rich color and immediately thought of the blue sky and then the turquoise jewelry that mimics this blue so beautifully.

Foundlings

I had never heard of the Foundling Hospital or its heart-wrenching history until Selvedge magazine came out with an article on this in the Sept/Oct 2010 issue, #36. To quote from the article written there: “Opening in 1741, the Foundling Hospital in London took in the babies of unmarried women. Not a hospital in the true sense, the Foundling Hospital provided ‘Maintenance and Education for Exposed and Deserted Young Children’, a home, an education; it also offered the mothers a chance to return to their former lives and perhaps regain some form of respectability in the community”.

Recently, The World of Interiors in their recent issue, March 2011 also published an article with photos of this story and again I was moved by its history. The mothers would leave a swatch of clothing or something that would connect them back to their child should they ever return to claim him or her. The Foundling Museum decided to present these textiles in an exhibit called “Threads of Feeling”. For further information the website is here.

In my stitching for Jude’s class at Spiritcloth I had seen her stitch a similar strip and it reminded me of the token swatches left behind. I sewed some of my oldest pieces to a torn strip of silk and cotton voile leaving the scars of wear showing or the places where the dart or gather used to be in some of the velvets. I have an application for this in the near future, and I like the way it carries some history of cloth in its shadow of mystery. There is something so solid and deeply rooted in this string of patches.

A Boro Class

I have been quietly working on a weaving for a class project for Jude. Often my life is spent away from home, so the idea of taking a piece with me and being able to work on it is not only convenient, it is becoming more imperative if I want to accomplish and finish anything. I started out with a weaving of creams and whites and slowly added soft colors bit by bit. Initially I thought I would make an all creamy monochromatic piece, but I am so compelled by color that it eventually began to weave its way in. Yet, I am still tying to not go any stronger than a subdued brick tone.

In this piece one of the whites can still be seen. It is a dotted Swiss cotton that I have had for some time and decided its texture of dots would be nice, but it looked too new, the design and the color too stark, so I am gradually covering it with other worn and richer tones. I also have used various silk velvets and these have become a favorite because when they are stitched they reveal great character and texture.

Inspired by Ann Wood about whom I recently wrote a post, I decided to take these worn Victorian silks and use them in this piece. Touching and stitching these is really just another part of the enjoyment and richness that I am striving to create. I love the tactile quality as well as the worn appearance that they evoke.

This section reveals pieces from the silk chiffon garment. On the right side the silk chiffon can be seen slightly curling, and I have let ragged pieces lap over other parts and simply stitched over them to give the piece a transparent look in parts. The silk satin is a dream to stitch over too, and I love the way it wants to curl as if it has its own life and energy.

This is the piece taken for the silk chiffon. At first I thought it might fall apart as I stitched it, but it is actually quite sturdy in its new unfolding transformation.

This section shows the other garment that I used. It is a jacquard silk and some of it is quite delicate. I like that and decided to give it space to be what it is. I wanted to accentuate the delicacy while allowing it the honor of new life, a chance to be present in an altogether different form.

It is true that when one is working on a project, everything one sees becomes an inspiration or a connection to the ideas. The creation is always with you taking on another form and coming back as something else. On my morning walk, I saw this moss-covered wall and loved the way the moss grew leaving spots that showed the wall beneath but at the same time becoming the dominant part of the design similar to some of the worn and delicate textiles I am using in this piece.

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